Kerry King at the Nile Theater, Arizona
Kerry King’s solo tour has been nothing short of a metal on slaught, and his stop at Mesa, Arizona’s Nile Theater on February 19th proved to be an explosive, high-octane spectacle.
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The legendary Slayer guitarist stormed the stage with the same ferocity that cemented his place as one of thrash metal’s titans, delivering a night of relentless riffage, blistering solos, and unfiltered aggression. Supporting his debut solo album, From Hell I Rise, King wasted no time launching into apunishing setlist that blended new material with the razor-sharp precision and chaotic energy fans have come to expect. Tracks like Where I Reignand Toxic were instant crowd-pleasers, their crushing riffs igniting a sea of headbangers and mosh pits that never let up. King’s signature guitar work—fast, technical, and downright menacing—proved he’s still at the peak of his game, while his bandmates matched his intensity at every turn. The Thrash Metal roots rundeep, Paul Bostaph (drums, Slayer), Kyle Sanders (bass, Hell Yea), Phil Demmel (guitars, Machine Head), and last but not least one of the best voices in Metal, Mark Osegueda (vox Death Angel and Violence).
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Adding to the night’s sonic destruction were opening acts Municipal Waste and Alien Weaponry. If you don’t like fun or circle pits do not come to a Municipal Waste show. The security guards were working overtime catching crowd surfers. I believe the boys have a new album droppingApril 4th. If you haven’t listened to Municipal Waste do yourself a favor and get acquainted. But 100% go see one of their shows. Alien Weaponry, the rising metal powerhouse from New Zealand. The trio brothers Lewis andHenry de Jong, alongside bassist Turanga Morgan Edwards has made a name for itself withits unique blend of groove-laden, riff-heavy alt-metal infused with indigenous Māori culture. Their lyrics, often sung in the Māori language, add a distinctive and powerful voice to the genre,setting them apart from their peers. Since their breakout debut,Tū, in 2018,
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Municipal Waste
Alien Weaponry As the final notes rang out and the crowd erupted in cheers, one thing was abundantly clear: Kerry King’s reign is far from over. His solo run isn’t just a continuation of his legacy—it’s aferocious new chapter, one that cements his place as a metal icon still pushing thelimits of thegenre.
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Alien Weaponry
Photos and Review by Mike Bengo
Press Selena Fragassi